“shortish, weird, metafictional, and poetic”

Recently some friends of mine were bemoaning what they called “The Twitter culture” and how people don’t “talk” about much anymore, and I was happy to be able to jump in and say that while I think I know what they mean in a general sense (although not sure I’d agree with it – I think it just depends on the people you’re talking to), in a specific sense I’ve got mostly only good things to say about Twitter. From my view behind Tweetdeck, there is a non-stop books/literature/poetry/writing discussion going on, and I’m privileged to be able to jump in and out whenever the mood strikes.

Yesterday I asked about book recommendations and came away with a lovely long list of books, some I’ve heard of but forgotten to acquire and read, as well as some new-to-me titles that look absolutely wonderful.

I asked for books that were, “shortish, weird, metafictional, and poetic” because I seem to have the best luck with these lately. I love the range of titles that came back, and I think it’s worth sharing the list (which includes a few books I came across when looking up some of the suggested books) and asking for additional suggestions:

  • Ban en Banlieue – Bhanu Khapil
  • Argonauts – Maggie Nelson
  • Bluets – Maggie Nelson
  • Pond – Claire Louise Bennet
  • Hausfrau – Jill Alexander Essbaum
  • Heraclitus in Sacramento – David Carl
  • The Plains – Gerald Murnane
  • Uses of Literature – Rita Felski
  • Mildew – Paulette Jonguitud
  • Karate Chop – Dorthe Nors
  • Theory of Prose – Victor Shklovsky
  • DAN – Joanna Ruocco
  • Things to Make and Break – May-Lan Tan
  • A Book of Silence – Sara Maitland
  • Dans La Pénombre – Juan Benet
  • Tu Reviendras à Région – Juan Benet
  • Suite for Barbara Loden – Nathalie Leger
  • The Laughter of the Thracian Woman – Hans Blumenberg