Quim Monzo – Gasoline

This week I reviewed Gasoline over at Necessary Fiction:

Satire is best when it doesn’t pull its punches, and Humbert is thoroughly skewered in Part Two. But Monzo takes this a step further by casting a shadow backward on Heribert, the very standard used to set Humbert up in the first place. Suddenly, he is no longer a foil, an example of true artistic integrity to be held against Humbert’s absurdity. We begin to suspect that Heribert, in the heyday of his own artistic success, was equally ridiculous. This cannibalizes Monzo’s questions and broadens the scope of the novel’s irony.

Click here for the full review.